Sign of the Times - New Project with Andres Serrano

In an interesting recent project, Andres produced a video of a collection of signs he bought from homeless people titled Sign of the Times.  I was knighted the (digital) photographer and Andres took on the role of Art Director/Producer. Typically Andres shoots on film and his final works are color photographs.  He prefers this medium and both his collectors, and the art world generally expect him to work with traditional photographic media (film and paper with photographic emulsion). However, the final piece for this project was not to be a printed photograph, but a video, so he felt free to use digital photography as the medium for its production.  I believe that he got the idea to create a video of still photographs from a video he produced earlier in 2013 of stills from the Cuba project that was shown only at a two-day video festival on June 28, 2013 at Musée de l'Élysée Lausanne in Switzerland, a photography museum.

Sign of the Times is now being shown at Yvon Lambert Gallery in Paris along with his wonderful large scale color photographs from Cuba.

It was a great pleasure to work with him on Sign of the Times.  We spent several days shooting and lighting to impart the mood he was after for the final piece.  A man named 'Vinnie' worked with Serrano to put together the the final video from the still photos.  

Here is an interview with him about the piece and a link to the video or you can click on the photo above to go straight to the video.

Photographing on the Prado, Havana, Cuba

Andres Serrano is mostly known for his portrait work, however he has been doing a fair amount of still life work in the last few years, most recently his ANARCHY body of work exhibited at Edward Tyler Nahem's booth in the Armory show in March 2012.  In Cuba, Serrano photographed subject matter radically different from what he has done in recent years.  He deeply explored environmental portraiture, architecture, environmental still life and interiors.  He also did many portraits on a backdrop devoid of color, a great change from the highly colored backdrops present in his studio portraiture.  Here is a shot of us working on the Prado in La Havana, exploring environmental portraiture and architecture.  He still uses his Mamiya RB67 he originally purchased in the 80's.

​Using Iphone with instagram to document us using 120 slide film.  Our instant peels looked cleaner than this!

​Using Iphone with instagram to document us using 120 slide film.  Our instant peels looked cleaner than this!